Along the narrow passage, the audience sits in the seat in turn, and in front of the audience is a white curtain. From the farther place in the far place, an unusually bright beam of light is projected onto the curtain. The audience’s eyes are like cave prisoners. Gazing at the front motionlessly, through the curtain, you can see extremely realistic motion pictures. It can be said that the modern cinema is a replica of Plato’s cave. However, unlike Plato’s cave prisoners who represent the faint ignorance of the mind, the modern audience in the cinema is a civilized person whose mind has been enlightened. They know that the image on the curtain is only an image, although there is a certain relationship between this image and the reality that is reproduced. The kinship or similarity, but it is separated from the reality around the curtain and outside the theater. but it is separated from the reality around the curtain and outside the theater. It is this enlightened state of the mind that makes the structure of the cinema fundamentally different from Plato’s cave metaphor: in Plato’s cave, the prisoner’s misunderstanding of the image is due to the faint ignorance of the mind, and in the cinema or In the auditorium, the audience’s misunderstanding of the screen image was voluntarily voluntary and clearly aware; in Plato’s cave, the first person who escaped from the cave became a prophet and enlightener because he saw the true light source of truth. In the mode of operation of the film, it is recognized that the director of the light source is the producer of the phantom. Instead of fleeing the cave, he places himself in the cave (the black box of the camera) and sees himself through the hole (lens). Provided to others, let others flock to the cave (cinema) to look at him like him. What he provides is not the form of truth, but a light column that stimulates desire and guides visual identity. In Plato’s cave, the prisoner’s state is to be liberated, and the prisoner needs to go out of the cave to get the clarity of the mind. For the movie, the audience just needs to enter the prisoner state and needs to be in captivity to complete the prison. The reality is the escape of every urban man’s prison. The audience walks into the theater. Not to accept enlightenment or moral teaching, not just for entertainment, but to “go into” the world of Ken, in order to “A person who “makes a character or image tone, and “Libido” bet that achieves desire in identification, if he does get some kind of life teaching or visual pleasure in watching, it is also shown as a side effect of identification.
461 words
Whatever Comes Up 